The to start with day of April, in 2014, dawned “gray, chilly, wet, unattractive,” recollects Supervisory Particular Agent Tim Carpenter of the FBI’s Art Theft Software in Washington, D.C. Early that morning, his group knocked on the doorway of Don Miller’s farmhouse in Waldron, Indiana.
Portion of that group was cultural anthropologist Holly Cusack-McVeigh, who remembers currently being so nervous that she hadn’t slept the evening in advance of. Although she had knowledgeable many human cultures, regulation enforcement was new. “This was way over and above my consolation zone,” she claims.
A tip to the FBI had brought Carpenter and